Finished my self-imposed homework last night, with "Don't Look Up." I will stick by the rules of this site with respect to politics, and simply say that the connection between the Trump-ian President and the Steve Jobs-inspired donor muddles any satirical message the film tries to convey. (Also, I guess Big Tech doesn't follow the science, or at least not a peer review? Kinda loses the thread in the back third.) The film also disturbingly American-ego-centric, since apparently the U.S. is the only entity able to identify a comet, and the International attempt to deal with the comet fails because...reasons. Having not seen a single thing I could describe as enjoyable, I'll give this my best Gene Shalit, and simply say Don't Look It Up. I had watched "The Lost Daughter" a few days prior. I think Olivia Coleman is a tremendous actress, would recommend "Broadchurch" to any fan of TV Drama, and thought her prior Oscar nominations were well-deserved. I just found her character impossible to relate to; if the backstory that slowly comes out about the character is supposed to make her sympathetic, it failed. Likewise, her motivations in concealing a key piece of information from Dakota Johnson's character for most of the film didn't make sense, and didn't have any meaningful resolution. Ed Harris' character was interesting to me, but I just didn't feel like I "got" this film. Nothing about "Tick Tick ...Boom" should work for me, as someone who self-describes as not a Broadway-musical type. That said, it was the only one of the films out of the three that I could actually enjoy. Andrew Garfield's character actually felt like a real person (which shouldn't be surprising, considering the nature of the adaptation), as did the supporting characters. I'm sure musical theater fans have plenty of nits to pick, but if I were asked to recommend any of these three films, this would be my choice. Having gotten all the Netflix out, I might try to see some of the Amazon film(s) before next week's nominations.