About time you got around to Once Upon a Time in the West. Leone is no Kurosawa, but he's quite good in his own right. You might want to check out Once Upon a Time in America. Stuff, I've seen lately. The Wolfman There's stuff in here I like. The handsome art direction. Some of the atmosphere. The monster design. Hugo Weaving. The insane asylum sequence. But, in the end, a whole bunch just doesn't work. The mystery is too obvious. Lawrence Talbot isn't sympathetic enough. The love story doesn't really work. And instead of trying to stay classy, if goes for a full on monster rally style climax. Too bad as I have an awful lot of affection for the original. Where the Wild Things Are Lots of stuff I like, but in the end I just thought it was too obvious and didn't hit the right balance of whimsical to go along with the "growing up is hard, but necessary" theme. Zombieland A fun romp, but it's no Shaun of the Dead. The biggest issues likely being that the third act makes little sense and it lacks a sense of danger. Woody Harrelson is a riot though and there's a killer cameo, but it's a trifle. Kick-Ass I liked it, but ultimately think it doesn't quite know what it's trying to say, substituting style and cleverness for a coherent whole. Then again, that's Mark Millar for you. Big Daddy and Hit Girl are simultaneously the best and worst things that happen to the movie. (Nic Cage is a riot though, especially when he pulls out his Adam West impression.) It's fun, it's colorful in the right way, there are good performances, the action is well staged, but I don't think it really stands up to closer examination. Hot Tub Time Machine Hit and miss for me. A big miss is that they really fail to get the 80s setting right. Yeah, it's a comedy, but something like Back to the Future actually paid attention to when it was set beyond cheap gags. The characters are all underdeveloped and the actors are relied upon to make some spotty material work. Workmanlike would be my take on it. The Girl with the Dragon Tattoo I'm not as wild about it as some, but I think it's a really solid film with a great performance by Noomi Rapace as the title character. The setting of the story is important, as the story plays upon themes of hidden family/national secrets and cultural misogyny, and the harsh seasons and lighting are reflected in some of the harshness of the story. It's a story that's very of the place, and I really liked that. In general, I liked the mystery that was set up, although the steps to the solution seemed contrived in places. I'm not sure if Lisbeth Salander's character really makes sense either. Still, a really solid, interesting film. Robert