9 episodes = Divine Comedy's 9 rings of hell Cat = Adriana Characters in diner = characters from past episodes Walk to bathroom = Godfather homage Eating orange = death of Tony etc., etc., etc. I think the great thing about a show as well-crafted as The Sopranos is that there is meaning for everyone's reading - like the near-200 posts on U2's "One." I have enjoyed the show from start to finish, and enjoy that Chase allowed me to end it in my own way. Is it wrong for me to think of a bloody end for Tony? No. Is that what Chase intended for me to think? Who knows -- and more importantly -- who cares? Art is supposed to pose questions, as Chase had mentioned in an earlier interview. The joy of art for the patron, to me, is that you get to develop your own answer. Just like AJ's quoting of Yeats's "The Second Coming," each viewer is free to form his/her own rendition and ending. AJ alluded to a poem written in the world-altering horrors of WWI, yet he viewed it as applicable to our modern world, almost a century later. In fact, the poem itself can help to explain Chase's conclusion. "The Second Coming" is about the end of the world/day of judgment being brought on by humankind itself, which is then powerless to stop the "beast." Some quotes from Yeats's masterpiece that, to me, help to understand the show's conclusion: "Mere anarchy is loosed upon the world, / The blood-dimmed tide is loosed, and everywhere / The ceremony of innocence is drowned; / The best lack all conviction, while the worst / Are full of passionate intensity." (lns. 4-8 ) "And what rough beast, its hour come round at last, / Slouches towards Bethlehem to be born?" (lns. 21-22) Obviously the latter contains AJ's excerpt, but I see so much of the show in these two specific segments. Carmela constantly grappled with her husband's (and her own) choices and lifestyle, always leaning on her religion for guidance. Although very early on, she came to terms that Tony's life will lead him down a path to hell & damnation, Carmela lacks conviction - she cannot bring herself to do anything to stop him - or save herself. Her devout Catholicism truly becomes bathed in the blood she knows is on her husband's hands - and the image of "the ceremony of innocence drowned" in blood speaks to me of both their children's (& their own) baptisms, along with their other sacred ceremony thus far - their wedding. Nothing remains pure in their lives, aside from their own selves - flawed, dark, & corrupted as they may be - and that's how I see the episode ending. All they will ever truly have is each other - and even that can be taken away by a hitman (or a random event)