Mothra vs. Godzilla Ghidorah, the Three-Headed Monster Invasion of Astro Monster Probably the peak of the classic Godzilla movies, save for the first which is clearly above anything that came after and maybe King Kong vs Godzilla. Colorful, some fun plotting, lots of great miniature work, and at least they're trying with the human side of the story. I'm amused that Ghidorah is basically The Avengers. Portrait From Life Marry Me Spaceways Night of the Big Heat I've been digging through the lesser known works of Terence Fisher, most famous for his Hammer gothics. Spaceways is the only one that's readily available and it's pretty bad, based on a talky radio play and showing it. Night of the Big Heat is a monster invasion film from the 60s, and may show up on Svengoolie at some point, but it's okay at best while clearly recycling Island of Terror and throwing in an adultery melodrama for the human part of the story. Portrait from Life is a post-WWII mystery thriller that's quite good and has a lot to say about human refugees, obsession, British indifference, etc. It should be more readily available. Marry Me is essentially an anthology film, centered around a marriage bureau, of which only one story really stands out and which Fisher was invested in. Alan Partridge I enjoy Steve Coogan a lot, so this had a lot going for it as he basically ends up as a go between for a hostage situation at a radio station, now going corporate, that he inadvertently caused. Unfortunately, it doesn't really go to anywhere really interesting and only Colm Meaney makes much of an impression among the supporting cast. Maybe if it was directed with a bit more verve or if I was more familiar with the television work that inspired the movie, but it's fairly one note on first impression. Frozen I wanted to see what the big deal was and ended up enjoying it quite a bit. It's definitely a film that works best in context with classic Disney animation as they play with the formula to give the female characters power and agency. I don't need to hear "Let it Go" out of context again, but it works really well in context. The ice animation effects are quite good. Lots works. It's not an adult film, but as an all ages film it manages to say enough to keep it interesting and worthy of analysis. It also feels about 10 minutes could have been shaved off as the trolls feel completely unnecessary to the film. I was kind of enjoying the fact that it was a film with no real villain and what looked like a climax where people talk it out (or perhaps sing it out), so of course they have to shove in a villain and a big, bombastic climax. I'm also a bit disappointed that they seemed to forget that they were a musical near the end and they really could have used a number on the level of "Let it Go" for the climax. It plays with the form up to a point, but doesn't always follow through. Still, I can fully understand why it struck a chord with its target demographic.